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Media Education and Ecological Modernism: Embodiment, Technology and Citizenship

By Carl Bybee and Shelby Stanovsek

Abstract: The field of media education, emerging within the instrumental vision of modernity, has largely ignored its unspoken modernist assumptions. In this article, we argue the time has come to fully engage an embodied view of media from an evolutionary, ecological perspective—what we might call ecological modernism. This is a perspective that views media as evolving mediations through various material/technical practices, where body knowledge, rather than some idea of objective reality, is understood as the empirical ground for how we come to make sense of ourselves and the world. The focus is then shifted from the problem of subject versus object relationships to how subjects and objects are mutually constitutive. By extension, the juxtaposition of the concept of citizen with the body clarifies yet another crucial dimension of the embodied perspective. Two examples of “citizen”-based media education projects are briefly reviewed from this ecological modernist perspective in order to consider the implications of resituating grounded citizen-oriented media education.

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Embodying education: performing environmental meanings, knowledges, and transformations

By José Castro-Sotomayor, Jeff Hoffmann, Melissa Parks, Maggie Siebert, Mariko Thomas and Tema Milstein

This essay presents an exploration of a wide spectrum of current ecocultural relations through the creative methodology and expression of performance. We present a script of a performance inspired by a seemingly simple prompt for a pedagogical free write exercise “When I say ‘nature,’ I mean…” The goal of the free write exercise is to illuminate and open up for questioning and transforming our cultural assumptions, embodied meanings, and social constructions associated with the idea of “nature.” The authors/performers reflect about the process of creation and their intimate struggles with environmental ideologies often hidden behind the veil of common sense, political posturings, or disciplined concealments. As an art form, performance allows engagement with imaginations that emerged as radical, thus insinuating the need for a more nuanced and free scholarship, as well as for embracing performance as liberating pedagogic activism.

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The Sacred Breath: Teachings from the Inner Landscape

By Jennifer Finn

Jenny Finn reminds us that we all carry a full geography of internal landscapes, embodied in the simple act of breathing. As we consider the deep and complex issues that entering learning about sustainability in the outer world, is it not essential, she asks, that we connect, profoundly through each breath we take, with those internal landscapes?

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